I had passed this movie many times thinking it wouldn't be all that good..I was wrong..I watched it today and it is great..Good plot, and the actors are believable..It had twists and turns that are easy to follow and the suspense is delicious..It is a great way to spend 1:33 of your time and not regret it..

True Argento Fashion updated... Just enough blood, creepy angles and low light to make it fun to watch after 1980. The only thing it was missing....... That crazy Gobblins sound track.

If you know Dario Argento, you know this isn't for kids. Although the first murder isn't quite as bloody as his usual fare.Yes, the protagonist doesn't look like much, but he's supposed to be similar to a Hitchcock protagonist. Those were usually ordinary folks caught up in unusual (for them) events. In this case, apparently a film student. Although he has less reason for his involvement than Hitchcock's characters ever did, as far as I can tell.Not a fast-paced movie, but the speed's appropriate for this type of suspense storyline.He was tailing her, not chasing her. In a chase, she'd be actively trying to lose him, not going to work.I agree that the conclusion is rather weak. Julio decides on one person's guilt based entirely on video rental patterns. And there's no hint of the true killer until it literally comes out of nowhere.

It was an unexpectedly good film. Well written, well played
and enjoyable. I am not usually pleased. It was really well done.
One of the best I have seen on Hulu

There was much more thought put into this flick on where the camera should be and what it saw than dialog or substance. The getaway scene at an hour five min. was one of the lamest moments in film, though there are many lame moments in many movies, this one is near the top. Couple these thoughts with the flick being in my opinion, a casting couch flick and you have the sum total of its worth.

I watched this more out of curiosity than real interest, and was surprised by how good it was. Argento takes many Hitchcock movies, mostly "Strangers on a Train" and "Rear Window," and weaves pieces of them into this well-written thriller. Like most Argento movies, the dialogue is spoken in English translated directly from an Italian script, so sometimes it seems stilted, but the pace of the film and the way one can see the actors "think" are very Hitchcockian. Like DePalma, Argento includes more sex than Hitchcock ever did in this tribute, but he uses the sex to magnify the sense of the hero's gulit, fascination and attraction like Hitchcock did, unlike DePalma who only used it to titillate. The deaths are gory, as one would expect from Argento, but the rest of the film follows the hero on his journey as he becomes obsessed with a pair of women whom he is convinced are recreating "Strangers On a Train" in real life. The pace may be a little slow for those who are used to modern American cinema, but for those with a taste for classic Hitchcock or Euro cinema, this will be a fun treat.

Outstanding remake of the combination of Hitchcock's "Strangers on a Train", "Rear Window" and "Dial M for Murder".The title is right, if you like Hitchcock, you will love this Dario Argento tribute.