I'm not a giant fan of re-makes; for the most part I think they're just an easy way for filmmakers to generate some money when they don't have any new ideas. After all, if a movie's already been made, why on earth SHOULD you make it again? But none the less, remakes DO get made, and I do enjoy some of them.
Stanley Kramer directed the 1960 version of Inherit the wind, and Daniel Petrie version made this, the colour 1999 version; which one's better? Well, in my opinion, they both have their ups and down.I feel a little unqualified speaking about the Kramer version, as it's been a long time since I saw it and I don't have all the details fresh in my mind. But I recall watching it again after hearing criticism of the Petrie remake, and wondering just WHY the new one was being criticized so harshly, as they both seemed similar, with barely any differences bar the change of cast. So, if critiques have to be made, it must be about the actors.In this version, I wasn't entirely convinced by Scott, playing Bertram Kates. He seemed a little too starry-eyed in every scene, delivering his lines with the same airy reverence you'd speak historic quotes; fine for anyone quoting lines like "They were meant to be questions, questions you ask yourself" but not so fine for the person actually meant to be saying them.
Morris, playing Rachel Brown, I thought looked... Well, a little too fragile. I don't remember how she was portrayed in the Kramer version, but in this one she looked ready to explode into tears in every scene, not just the one she actually did in. Her father was a little overdramatic, and I think we were being played, as an audience, the director trying a little too hard to make us say "Look at the evil religious dictator! Religion is evil!"
But getting back to the big stars; George C Scott as Mathew Harrison Brady, I thought, was perfect. Frederick March did a grand job in the original, but George Scott had acting oozing out of every pore every time the camera was on him. I remember Spencer Tracy less well, but I recall liking the whole of the original, so I'm going to assume I liked the work he did there as well. Jack Lemmon was good here, no big complaints, except the vast amounts of sweating going on in the courtroom made him look a little too tired, and not nearly as strong a presence as George Scott.All in all, compared to the original, I'd probably have to award the original as the winner, simply because it was the original, it actually did it first, and this one just did what had already been done, with colour film and different actors. But on its own merit, the Petrie remake is a good film, very worth watching if you're of a younger generation that's never seen the original and has an aversion to monochrome. While certainly a dramatization, with a change of names from the historical persons, it's very much a history lesson, at the least inspiring you to ask "Wow, did all this REALLY happen?" subsequently rushing off to wikipedia to confirm.
So, with all that in mind, I'm going to give this a four-star rating; minus one for the sin of not actually being an original film.
















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