I hear ya, I meant dramas in general regardless of era, though. Without silence and unnecessary misunderstandings there would be no material given how thin the plots are. At least with period pieces you understand characters being slaves to their position in life somewhat.
This chat reminds me of Michelle Yeoh's funny comments in the DVD of Crouching Tiger: as a modern woman (if Asian) she just can't relate to her quiet and long-suffering character. "I feel like shaking her", I think she says. But that was a period film and, as you said, even in modern day soaps, female (and sometimes male) characters don't speak their minds enough.
Here, Eun Jae should either speak up or remove herself from the situation at once instead of lingering and moping around. And what's Kim's excuse (besides inhibition) for not making a move on Dong Ah? Not to mention Meu Yeol's shocking blindness to Eun Jae's feelings (I know he's not smart, but still)!
Without all this silly reserve the series would end quickly. You gotta suspend disbelief to keep watching those predicaments develop. Maybe it's because of the foreign language and customs (for me), but it's much more palatable than western soaps. Even the bar owner is eye candy, if you ask me... :D
I'll admit that the physical fight between Eun Jae and Meu Sol was a bit of a turnoff. They pushed the opposites attract thing a bit far: I don't think there was any realistic coming back from that scene between the two. I suspect that physical abuse is more readily tolerated in Asia, though.
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