The self indulgent beat generation, poets who don't knowit, expounding existentialistic drivel from the bowels of Grenwitch Village NY, get reamed in this satirical stab at cover up murder as art, as beat philosophy was mostly cover up murdering of what was art beforehand. The generation was marked as Rebels Without a Clue, in that the freeform criticism of what went before had no zeitgeist except critical angst, it never went farther than criticis. It took the young being sent to slaughterhouse Vietnam to actually go the real mile and create true counterculture, but there was enough beat generation left in the rest of the population to indulge in mindaltering drugs and make no statement or contribution except drop out.
So as counterculture of the fifties murders art, so does murder under cover of equally dense mud become art. The rest of the film, as the straighter crowd discovers something is really wrong with this sh!t tries to wrestle sanity back from the horror, and finds out the horror hangs itself.
For a nickel dime production, a lot got said and well. Too bad nobody listened hard back then. All they got was, this beat era will burn itself out, cover itself with mud, and hang itself eventually.
For that much, the film is important.