Velvet Goldmine

Javascript is required to use Hulu. For the best experience, please enable Javascript and reload this page.

Velvet Goldmine (1998)

details

options

facebook

A British newspaper reporter (Christian Bale) investigates the career of a glam rock star (Jonathan Rhys Meyers) and his relationship with an influential American musician (Ewan McGregor).

Movie|R|1 hr. 59 min.|R|

Availability:

Title Details

Title	Velvet Goldmine (1998)
Runtime	1 hr. 59 min.
Studio	Miramax
Genres	Drama \| Gay and Lesbian
Description	At the 1998 Cannes Film Festival, American independent director Todd Haynes (Safe) received the "Artistic Achievement" award for this re-creation of the UK glam rock scene of the early '70s. Glam rock star Brian Slade (Jonathan Rhys Meyers), who does a character named Maxwell Demon, predicts his own death onstage. As per his prediction, this happens, but when the killing is exposed as a hoax, it marks the end of Slade's stardom. A decade later, in 1984, Brit reporter and former Slade fan Arthur Stuart (Christian Bale), who witnesses the hoax murder, gets the assignment to do a "Whatever Happened To..?" article, and the film's plot suddenly goes into a prismatic Citizen Kane mode, reflecting various angles on Slade's life and career. Arthur visits the wheelchair-bound Cecil (Michael Feast), who discovered Slade, and then tracks Slade through his early life and his initial encounter with outrageous, maniacal American singer Curt Wild (Ewan McGregor). Slade's rise begins as manager Jerry Divine (Brit comedian Eddie Izzard) moves in to take over the performer's career. Ex-wife Mandy Slade (Toni Collette), interviewed by Arthur in a dimly lit nightclub, has memories going back to their initial 1969 Sombrero Club encounter. Their marriage paralleled his Bowie-like ascent to fame as an innovative, bisexual rock star pushing the limits. Idolized by teens, Slade teamed up for a while with the drug-addicted Wild. Eventually, the marriage of Mandy and Slade comes to an end, and she hasn't seen him in seven years when she's interviewed by Arthur. The soundtrack features vintage music by Bryan Ferry, Lou Reed and Brian Eno, plus new tunes. Some background on the making of Velvet Goldmine is documented in producer Christine Vachon's book Shooting to Kill: How an Independent Producer Blasts Through the Barriers to Make Movies That Matter (Avon, 1998) by Vachon with Slate film critic David Edelstein