From it's opening shot of two riders racing across the desert surrounded by magnificent, towering red rocks, STAGECOACH is more than a story of cowboys vs. indians. The director, John Ford, had a tremendous understanding of setting. When the tiny stagecoach works it's way further west, the travelers endure harsh weather, rough terrain, attacks by the Apaches and only sporadic food and rest. These characters all stood for something. There is Dallas, a prostitute forced to leave town by a league of christian women. This group is also responsible for the alcoholic but big-hearted Doc Brown being forced out of town. Then there is the Ringo Kid, portrayed by-who else-John Wayne. The Kid is on his way to avenge the death of his brothers. Although the Kid has been in prison, he is clearly on the side of good. The other passengers are a mysterious gambler, a whiskey peddler, and an embezzling banker. The hilarious Andy Devine is the stagecoach's driver. Ford really understood the psychology of the group: whatever the prevailing sentiment might be, a true individual will take his or her own stand, even if it means going against the wishes of the group. The Ringo Kid can't help but fall for Dallas, even if she is a fallen woman. It is this type of bravery-the willingness to stand alone, to go against the prevailing notion-which might have won the West.
Best scene: aboard the coach, when under attack by Apaches, Mrs. Mallory first hears the bugle cry of the cavalry, followed by the rush of the soldiers coming to save the day.....