(posting my review here, since i'm getting the dreaded "invalid review" code. le sigh)I understand that a large part of the divide between those who actually like this movie and those who don't is simply the message it projects, and the interpretation of it. Many claim that this movie is about a man who converts a lesbian; to summarize it in such a way overlooks the nature of Alyssa Jones' character, as well as the elusive Amy for which the movie is named. These women, like many women who came out prior to the age of "Lesbian Chic", had periods of experimentation for which they posted no regrets in order to discover what they wanted from a partner. The movie isn't implying that lesbianism is something to overcome; it's saying that love should know no bounds. As Alyssa outlines in the blue bed scene, the very reason she began to consider the possibility of female partners is identical to how she opened herself to the possibility of being with Holden.All ideological discussion aside, take the message or leave it; Kevin Smith is well-known for driving a story through dialogue, and I agree with many other reviewer in saying that this isn't his best work. The acting is painfully bad at times, and the character development egregiously low. I won't dock him any for the mediocre cinematography, since it's rarely a reason to appreciate Kevin Smith films to begin with. Still, there is an alright flow to the story: simple to follow, everyone connects. Despite the controversial discussion it ignites, Smith does attempt to give thorough explanation and purpose to Alyssa's character more than anyone else. If you really pay attention, she holds herself up in writing.. sadly though, not in acting. Sorry Renee Zellweger -- I mean, Joey! XD

this fag movie was tolerable, the only thing that kept me watching was Renee Z, but after this movie listing to her sing and the screaming scene put me off. not a chance i would watch this again.. I only hope I can forget about it soon !