If you're looking for hilarious antics or zany slapstick, then go away. However, if you like dry observational humor, where paying attention to the details pays off later, then keep reading.
This film is orchestrated like a symphony, (in the key of Grey-minor), with themes in point-counterpoint, melody and harmony. It might take a little patience in the first half, which is in prelude-overture form. The second half builds to a crescendo in sonata-rondo form. Like Beethoven's 5th, it is an abstraction, so don't expect it to be "about something" (much like Seinfeld's "show about nothing"?) The main theme might be called "fun with glass", which is carried throughout, with various melodies derived from it.