.. but it ultimately fails to execute at a dramatic level, and that's a problem. The dialogue is so-so at best, the acting is generally poor, the frenetic, herky-jerky hand-held camera is distracting and shoved in everybody's face so tightly I feel like I'm developing claustrophobia. A good deal of this could be solved by simply locking a camera down at the far end of a room, letting the actors do their thing, and letting the scene play out until the moment demands a close up. That's assuming the dialogue and acting are decent enough, both of which are questionable in this case, and that there are enough resources to execute wider shots, which also may be questionable given the look of the program. Numerous distracting, unmotivated cuts further undermined the the feel of the scenes. I stuck it out through three episodes, hoping to have a reason to get caught up in this woman's plight. If there was such a thing there, it was obfuscated by the technical, aesthetic, and performance gaffes such that I couldn't find it.