Whew. Interesting docu -- shows horror sells better than weepy. Joe just seems obsessive compulsive, and his persona doesn't fit into the Hollyweird network as well as David, who actually succeeded in getting his screenplay produced into a movie! Wow! His story was actually encouraging and exciting--like a dream come true, which indeed it was! He seemed the most balanced of the three writers for sure, and with, no doubt, the best script of the bunch. Deborah, weepy Deborah, with her Nam Myoho Rengay Kyo chanting, and full-on company of people already casting Adrien Brody in their dreams? well--let's have some more rum...and...PIZZA! Thank you! Hold the anchovies. A good short-story can become opted--much easier; and then a screenplay done--as Brokeback Mountain which first appeared in New Yorker magazine. This is a very difficult industry to break into; verrrry difficult. And success comes so often from networking and who you know. Then the story idea has to be really good, interesting, different, catchy--and the writing pretty darn savvy, too. Ain't easy.